Boasian pseudo-anthropology to the domination of the global “mainstream” media, this film documents the rise of “political correctness” and demonstrates how it is a manifestation of the Jewish “will to power.”
1. Assailant tapes self driving to mosque. 2. Nazi-era music playing from the start. 3. Feel of a video game or home movie. 4. Three fake weapons on floor of car. 5. Turns in after passing three red cars. 6. An officer there directing him to turn. 7. Opens trunk to see plastic fake guns. 8. Walks up to mosque and fires blasts. 9. No blood, no screams, no bullets. 10. Piles of bodies before entering room. 11. There are exits, no one tries to escape. 12. Close-up shots, no entry wounds. 13. Fires down alley but no one there. 14. Even photo of director with crew.
At the Open Mind Conference 2016, Ole Dammegard discussed the templates and methods normally used in false flag operations. This year, he is back again with another angle on the subject.
All done, according to the “manifesto” in the name of “Donald Trump” and, if one were to read between the lines, the now pseudo-legally designated “Jewish Only” State of Israel.
Arthur Brown’s 1968 “not so rock and roll” semi-hit song provided the backdrop for the carefully staged, fully theatricalized murder “hit video” (below) with a cast of far more than we will ever know.