In 2006, a remarkable article—and admission—appeared in the Israeli news source Ynet News. Titled “Stalin’s Jews” and written by Jewish columnist Sever Plocker, this piece confirmed that terrible crimes which Jewish Communists had committed under Stalin.
1. WEDDING OF LOVE, COMPOSED BY PAUL DE SENNEVILLE 2. YOU’RE MY EVERYTHING, COMPOSED BY LEROY GOMEZ 3. THIS IS MY SONG, COMPOSED BY CHARLES CHAPLIN 4. ENDLESS LOVE, COMPOSED BY LIONEL RICHIE 5. WHEN I NEED YOU, COMPOSED BY CAROLE BAYER AND ALBERT HAMMOND 6. A MAN AND A WOMAN , COMPOSED BY FRANCIS LAI 7. MOON RIVER, COMPOSED BY HENRY MANCINI AND JOHNNY MERCER 8. SACRIFICE, COMPOSED BY ELTON JOHN AND BERNIE TAUPIN 9. RED ROSES FOR A BLUE LADY, COMPOSED BY SID TEPPER AND ROY C BENNETT 10. BYE BYE BLUES, COMPOSED BY FRED HAMM , BERT LOWN AND CHAUNCEY GRAY 11. SAMBA DE ORFEU, COMPOSED BY LUIS BONFA 12. LIMELIGHT, COMPOSED BY CHARLES CHAPLIN 13. A SUMMER PLACE, COMPOSED BY MAX STEINER 14. NOSTALGIA, COMPOSED BY PAUL DE SENNEVILLE 15. HELLO, COMPOSED BY LIONEL RICHIE 16. ARRIVEDERCI ROMA, COMPOSED BY RENATO RASCEL, PIETRO GARINEI AND SANDRO GIOVANNINI 17. TIME TO SAY GOODBYE, COMPOSED BY FRANCESCO SARTORI AND LUCIO QUARANTOTTO 18. CHAMPAGNE, COMPOSED BY PEPPINO DI CAPRI 19. I HAVE A DREAM, COMPOSED BY BENNY ANDERSSON AND BJORN ULVAEUS 20. QUIET NIGHTS OF QUIET STARS, COMPOSED BY ANTONIO CARLOS JOBIM 21. YESTERDAY ONCE MORE, COMPOSED BY RICHARD CARPENTER AND JOHN BETTIS 22. LA BOHEME, COMPOSED BY CHARLES AZNAVOUR 23. TI AMO, COMPOSED BY UMBERTO TOZZI 24. BESAME MUCHO, COMPOSED BY CONSUELO VELAZQUEZ 25. HOW CAN YOU MEND A BROKEN HEART, COMPOSED BY BARRY , ROBIN AND MAURICE GIBB 26. RIGHT HERE WAITING FOR YOU, COMPOSED BY RICHARD MARX 27. ROMEO AND JULIET, COMPOSED BY NINO ROTA 28. SOMOS NOVIOS, COMPOSED BY ARMANDO MANZANERO 29. TENDERLY, COMPOSED BY WALTER GROSS AND JACK LAWRENCE 30. WHEN A MAN LOVES A WOMAN, COMPOSED BY CALVIN LEWIS AND ANDRE WRIGHT 31. UN MONDE AVEC TOI, COMPOSED BY BERT KAEMPFERT, HERBERT REHBEIN AND CARL SIGMAN 32. L’ITALIANO, COMPOSED BY TOTO CUTUGNO 33. UN GRANDE AMORE E NIENTE PIU, COMPOSED BY PEPPINO DI CAPRI 34. MOULING ROUGE, COMPOSED BY GEORGES AURIC AND JAQUES LARUE 35. DOLANNES MELODY, COMPOSED BY PAUL DE SENNEVILLE AND OLIVIER TOUSSAINT 36. NIGHT AND DAY, COMPOSE BY COLE PORTER 37. MISTY, COMPOSED BY ERROLL GARNER 38. SOY REBELDE, COMPOSED BY MANUEL ALEJANDRO 39. LA NAVE DEL OLVIDO, COMPOSED BY DINO RAMOS 40. GONE WITH THE WIND, COMPOSED BY MAX STEINER
“All these attacks against the higher man we’ve had to listen to for the past eighty years, and that includes [George Bernard] Show’s farces, are all downright old-fashioned by now, flat and intellectually poverty stricken. There is only the higher, that is to say, the tragically struggling man; he is history’s only subject; only he is anthropologically in possession of all his senses, which is more than can be said for the instinctual complexes. So it will have to be the superman after all who overcomes nihilism, though it won’t be the type Nietzsche described in a pure nineteenth-century spirit. He describes him as a new, biologically more valuable, racially improved, vitalistically stronger, eugenically perfected type, justified by a greater capacity for survival and preservation of the species; he sees him as biologically positive – that was Darwinism. Since then we have studied the bionegative values, which are rather more harmful and dangerous to the race but are a part of mind’s differentiation: art, genius, the disintegrative motifs of religion, degeneration; in short, all the attributes of creativity. So today we do not posit the mind as partaking of biological health, nor do we include it in the rising curve of positivism, nor, for that matter, do we see it in tragic, eternally languishing conflict with life; rather we posit the mind as superordinate to life, constructively superior to it; as a formative and formal principle; intensification and concentration – that seems to be its law. […]
